From the New York Review of Books (when it was a leftish journal)
http://www.nybooks.com/articles/1971/06/17/a-special-supplement-mayday-the-case-for-civil-dis/
An alternative look at the history of the 1970s by Ron Jacobs
Monday, April 25, 2016
Friday, April 22, 2016
Wednesday, April 20, 2016
Friday, April 15, 2016
Wednesday, April 13, 2016
Grateful Dead Live in 1971
In 1971, the Grateful Dead played a Catholic Youth Center in Scranton, PA...
https://archive.org/details/gd71-04-13.sbd.unknown.32015.sbeok.flacf
https://archive.org/details/gd71-04-13.sbd.unknown.32015.sbeok.flacf
Tuesday, April 12, 2016
Wednesday, April 6, 2016
Blast From the Past--1969
This piece first appeared in the now defunct newspaper edited by Shay Totten--the Vermont Times....it was reprinted in Counterpunch a few years later...
http://www.counterpunch.org/2003/01/13/a-blast-from-the-past/
http://www.counterpunch.org/2003/01/13/a-blast-from-the-past/
Labels:
1960s,
1970s,
Altamont,
anti-imperialism,
antiwar,
Beatles,
Bill Graham,
Black Panthers,
counterculture,
Fred Hampton,
Grateful Dead,
hippies,
Mark ClarkCounterpunch,
Rolling Stones,
underground press,
Washington DC
Monday, April 4, 2016
The Story of the Late and Great Washington Free Press
Authorities took the challenge represented by the underground media seriously. This article from the Spark website composed and maintained by Craig Simpson tells the story of a campaign of police and judicial harassment in the Washington DC area.
https://washingtonspark.wordpress.com/2012/11/07/washington-free-press-battles-suppression-1969-70/#comment-1679
https://washingtonspark.wordpress.com/2012/11/07/washington-free-press-battles-suppression-1969-70/#comment-1679
Friday, April 1, 2016
Greil Marcus and George Jackson
Most people know Greil Marcus as an observer, commentator and critic of US culture, especially of music, from rock and roll back into the American folk ether. In the early, 1970s, when he wrote for a much less mainstream Rolling Stone magazine and the great rock mag CREEM (which also featured Lenny Kaye and Patti Smith), Marcus was also often quite political. One of the foundations of my book Daydream Sunset is that the New Left, the Black Liberation movement and the counterculture were closely bound in a common struggle against the US warmongering and racist establishment. This piece, written for CREEM after Black Panther George Jackson was murdered at San Quentin prison in 1971, is proof of that.
https://drive.google.com/open?id=0B01dj5QyuLDeRkx4aGVsekQ2Tnc
https://drive.google.com/open?id=0B01dj5QyuLDeRkx4aGVsekQ2Tnc
Labels:
1970s,
antiwar,
Black Panthers,
CREEM,
George Jackson,
hippies,
New Left,
Nixon,
San Quentin
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